Tasting Notes: Macallan 1997 (Duncan Taylor, Octave Cask #721315, 13 Years Old, 53.4% ABV)

    I've made it back to the interweb again with another interesting bottle!  This post's dram review comes from a trip to Las Vegas with some good friends of mine; hopefully you'll find it as interesting as I did! We had a great time in Sin City and I had plenty of chances to peruse bars on the strip, finding a few bottles that really peaked my interest; some of which I actually got to sit and write about.

     In one such bar, my friend and I stumbled upon an intriguing bottle of Macallan (not literally!). I'm a sucker for a Macallan (thanks impart to my dad), but I've been burned in the last couple of years with the introduction of the new Macallan NAS lineup (that's a different post).  I thought it was worth the gamble as it was an independent bottling by Duncan Taylor.

     Duncan Taylor bottles a range of single malts under a varied group of labels in addition to The Octave, and one of the more prominent is the Dimensions line (especially for Ontarians, as we don't see many other Duncan Taylor's in our stores).  One of the best Dimensions bottles we've had in the LCBO was the cask strength Balblair that came in a few years ago (and boy, was it a good one!).  We also saw a line up of 46% ABV Dimensions bottles featuring Glen Moray, Glen Elgin, Glenlossie, Macduff and Royal Brackla; I might still have my notes somewhere about some of these so watch out for further reflective posts.

     Distractions aside, The Octave selections are matured in the typical hogshead/butt oak barrels for the majority of their life, then selected and finished by placing them into the much smaller octave barrels (so small that they typically yield only 60-90 bottles per octave).  This imparts a more wood onto less whisky; in a sense, sort of speeding the aging process up.  Of course, as a Duncan Taylor bottling, there is no additional colour or chill-filtration.  This allows us whisky nerds to lift the skirts of said distillery and really see what's behind their product line.

  The Macallan Octave bottle I tried derives from Cask #721315 and hails in at a whacking 53.4% ABV.  Finished in a sherry octave, the dram almost called to me from the other side of the bar (with such a striking label, who wouldn't be interested!?).  This particular bottling yielded only 71 bottles and was destined for the USA.  At only 13 years old, and ever leery, I took my chances and rolled the dice.

Colour: Light gold with a subtle reddy-brown hint to the spirit.

Body: Rich and oily, surprisingly thick.  The roll shows a thick cling, and tiny drops  The legs, though, take forever to get back to the glass.  This is really looking up!

Nose:  Wow!  First thing you'll note are nuts!  Tonnes of roasted nuts backed up by wonderfully sweet vanilla notes.  This is a very Macallan dram!  The wonderfully light floral notes from the bourbon cask poke through and cut the sweet nutty goodness.  As it settles in, more hints of wood appear, adding another layer of depth to the already swimming nose.  Cinnamon and cloves intersperse with white wildflowers and drops of vanilla cream.  In the far background white pepper sharpness and a starchy note that piques my interest.

Palate:  We're in for a ride: the bar is down, there are no stops, the train is leaving the station (at only 13 years I'm expecting this could be a bumpy ride, especially with my recent luck with Macallan).  There is a galloping chariot of heat at the front, searing white pepper and sun burnt oak spices.  It's a little brash, but instantly it relaxes with more roasted almond and sweet pecans coming through the dram.  As it rolls about in the mouth, I'm getting more sweet roasted corn (even corn nuts), and hints of dried cherry.  The oily palate really suits the dram well, coating the mouth like syrup.  Interspersed in the background are slight notes of acidic char and rich soft wood spice (cardamom and mace, like a spice cake).

Finish:  In the finish, the heat has subsided and reveals a thick layer of butter cream and pound cake.  Loads of vanilla pods rolled in pepper with hints of dry oak spices.  It's surprisingly long, and draws out so nicely with vanilla creme supporting the whole cast.

Empty Glass:  Wood abounds, but is broken up by spiced pecans (a warm memory of sothern tradition).  There is a definite oak spice harshness but the sweet nuttiness of the dram counters it nicely.

     I bet large and Vegas paid out with a wonderful Macallan that I've been longing for!  The NAS line did very little to bolster the Macallan name, and running out of well aged stock has pushed their limits of both production and quality.  The quality is still there in the base spirit, but they will need to do as Duncan Taylor did: relax and hold onto some of these casks until they are actually ready to be bottled.  This dram is proof that quality whisky is out there still, but finding them is now even more of a challenge with so many 'investors' snapping up anything with a recognizable name on it.  Keep your stick on the ice and the ice out of your glass and next time I'll see what else I can drum up.

                                                                                 Roscoe (ScotchGuyTO)

Well I'm Not Sure What to Say....

    It's been over 6 moths since my last post promising to post more often and stay on top of the LCBO releases.... I haven't done that and for that I feel like I owe my readers an apology.

    Instead, I got married to my better half (she really is the better half of us now...), and have been sort of cavorting all about town with little regard to my blog and fellow whisky enthusiasts.  This isn't all my fault; I do actually have 6 articles partially written for the last 6 months of LCBO releases.  There just hasn't been either enough time or ability to find a sample from the release to comment on it worthy of making a post on the blog.  I  have also been about at the Spirit of Toronto show, and a few private tastings, but haven't really found or been bothered to take the time to settle down and write any of my thoughts down (that's just my own inherent laziness).  So I'll draft up a few things and see where this takes us.



    I haven't been railing away at the LCBO for a while (I sort of miss that), in fact I haven't been to the tasting bar in more than a few months.  This is simply due to the fact I've been getting on with other things like working overtime (something has to fund the whisky obsession), bottle hunting, relaxing and enjoying some of my newly married life.  The other reason I've slowed my progress is that I've been disappointed in the releases from our Liquor Control Board in the past few cycles.  It's not that they're aren't plentiful enough... it's simply the selection; or rather the lack there of.  I've noticed in the last few months specifically that there seems to be a cyclical ordering scheme of specific bottles during specific times in the year as well (some people might even call this a cover-up/ploy/marketing scheme/conspiracy... I just keep pointing back to my other articles).  I've also noticed the lack of interesting independent bottlings available a the LCBO lately (these are what really tends to interest me), and as such have sort of swayed away from the only Liquor outlet available to me.

    What, instead, I have decided to do is jump off the deep end into the wold of malts, that I, as a whisky lover am exposed to.  I feel the need to share this with you all, as there are so many things not available within our shelves, stores, and borders.  Those who know me keep urging me to write more, and I think it's a good creative outlet for myself, but more oft it keeps me in touch with the industry that I enjoy as a hobby.

   As a sneak peek; my notes book features a few interesting Gordon & MacPhail bottles, a bunch of rare bottles from around the world and even a few rare drams from the 60's-70's.  Let's see what comes up on my palate first and we'll have a discussion soon.

                                        In the mean time; keep your stick on the ice and the ice out of you glass.
                                                      You'll be seeing me around these parts soon enough I think...
                                                                                      Roscoe             

January 19/2013 Vintages release

Well mid way through the month, and I've finally got all my reviews in hand.  It's been a while and I'm sorry for the delay, but I can't be everywhere and at work at the same time.  There are quite a few bits of ground to get through so let's check into whats on tap for us.

 First up will be Gordon & Macphail's Whisky Liqueur.  Yes, I do diversify my interests and there are some really interesting spirits out there, but Liqueurs don't usually do it for me.  I've sort of grown out of the super sweet mixers and sippers, but as I recently tasted this at an event, it should be included.  Dunkeld Atholl Brose is the name of Gordon & Macphail's Whisky Liqueur.  There is a whole story of the last lord of the Isles that fled from persecution and was foiled by a mixture of whisky, honey, herbs and oats.  But I'm not reading into that currently (you get a reprieve from the history lesson for now...), I'm more into the beauty of the liqueur.  It's quite sweet (to be expected), but over shaved ice it would be a real after dinner treat.  The nose is sweet and filled with a complex note of eucalyptus, menthol and roasted oats.  There is a sweet honey note and some hints of herbs (like cardamom and clove), but I found it a little cloyingly so.  Hence the ice comment (I can add ice to this because it's not straight whisky but a liqueur).  My dad has always been a fan of Drambuie with shaved ice, so I'm thinking this might make a much higher quality replacement to that after a rich meal.  This is a well crafted liqueur, and should you be into such things you're looking at $50 for a half litre bottle.  Check you local LCBO <HERE> for your bottle.

  Enough about that, lets get down to the good stuff.  First up is one of my favourite Speysiders... err Highlanders... wait... High-Speysider? (Everywhere I see their bottles they're credited as both, so I'm not really sure anymore.  I'll stick with Highland as that's what it says on my bottle). Glenfarclas 105, a cask strength 10 year old sherry monster.  Be ready for a slap in the face with a whopping 60% ABV!  This is a strong and brutish dram, but don't think of it as being all brawn and no beauty. When you get over the muscle flex there is an incredibly beautiful floral, spicy, sort of warmth in this whisky.  The nose on this is fantastic, hugely rich with oily sherry, grape and malt almost overwhelming everything.  The longer you play with this, the better it gets; and it takes quite a while to loosen up but can be convinced with some water.  There is a deep rich raisin and sweet spice cake note, the grape note settles and sweetens quite a bit (much akin to crape syrup), and there are tonnes of sweet malt and deep sherry oak spice.  In fact there are lots of spices in the nose and the palate; think of a bulk foods store or even a spice shop.  The nose and palate both exude an oily note that becomes some sort of toasted oily nut (like Brazil nuts maybe).  There is so much happening in that glass it's almost hard to put a name on everything.  Think of this as like putting your face out a car window on the highway... awful hard to smell the fields of flowers, but if you slow the car down and take your time you'd be surprised what you pass along on your journey.  This is a journey in a glass (so to speak), and comes highly recommended. Yes it's expensive at $82/bottle, but you're getting a hell of a bottle of Scotch!  Check your local LCBO <HERE> for your bottle.

  Another returning bottle left over from the Robbie Burns celebration; Isle of Arran Robbie Burns Single Malt.  This is a simple fruity and spicy bottle of great quality single malt whisky, at a reasonable deal (LCBO rules apply here).  What you're getting is a non chillfiltered, no colour added Isle of Arran 8 year old single malt (or so I've been told through the rumour mill), that is endorsed by the World Burns federation.  Coming in at only 40% for $42 doesn't seem like a great deal until you taste the spirit.  What's in the glass is a fruity and spicy malt that will get you hooked, and keep your attention.  The nose is very forward fruity, lots of pears and green apples with notes of vanilla and toffee.  The palate is lively and spicy, lots of baking spices (more cassia and cardamom), and quite a punch of heat like ginger and pepper.  The finish is short, but very rewarding with lots of wood spice and fruit preserves.  This isn't a deep contemplating dram, but rather a light-hearted single malt that doesn't always take itself seriously.  Treat this as a gateway malt to an evening of tasting, it makes a great first dram to warm up your tastebuds before delving into the bigger malts of the evening.  This, for me, was the gateway malt to the Arran distillery profile.  I bought my bottle a couple of years back for $38, and dug into it right away.  It was an eye opener, and really got me into researching the drams a little deeper.  I'd suggest you check your local LCBO <HERE> for your bottle, and at only $42 it's a pretty slick deal well worth hunting for.

  Tomintoul 16 is the next bottle on our listing.  Tomintoul (pronounced Tome-in-tool), is a gentle Speysider which is owned by the independent company Angus Dundee (as of 2000 when it was purchased from Whyte & Mackay).  Their 21 year old was released to our shelves not that long ago (review HERE), and the 16 is no newcomer to our shores.  I'll admit that I like the 'Speyside-Glenlivet' moniker on the label; it gives you a peek into the heritage of the dram. I'm not so crazy over the colouring and the 40% ABV, but seeing as this is a nit-picky thing for me, I won't hold it against them.  I'm quite a fan of gentle whiskies and this is a great example.  I feel the asking price of $95 is a bit high, but then again the 21 is only $125, so it's not far off the mark; and most importantly you're supporting the little guys in the industry.  What's in the glass is a great floral-sweet dram.  Very soft nose with hints of field flowers and honey, some notes of fresh leather and distant roasted nuts.  In the mouth it's very full with more fruit creme and honey taking the reins.  There's a lot going on in the palate, rich roasted nuts, linseed oil and ripe pears.  There are hints of barley sugar and rich custard, with subtle notes of wood spice and candied orange in the background.  The finish is quite nice, still quite fruity and spicy with a running vanilla cream and subtle wood smoke in the background, very light but medium in length.  Either way, should you feel flush enough to grab a bottle at the LCBO prices, check <HERE> for the 16 year old and <HERE> for the 21 which is a sublime sipper.  I don't think you'll be disappointed in either dram.

  Last but not least is the marketing juggernaut 'Thor' from Highland Park (I think you can see where this is going already...).  It's a limited edition 16 year old from the 'Valhalla Collection', arriving in a smug wooden 'Viking Ship' package, proclaiming itself to be a great warrior god of old. Pfft, yeah you guys really cooked up some stories for this one.  The case features a pair of Norse bowsprits carved from oak surrounding a glass oval bottle (similar to the modern HP bottles but with thicker more natural glass to give it some character).  Be forewarned though, it's huge!  It will take up a small end table in any room.  It's so large that when I first noticed it, it was blocking my view of a hand-blown XO cognac bottle in a display case (think of something around the size of a Louis XIII bottle).  Let me just say that at almost foot across, this packaging is more than a little excessive. To top that off the price tag rests at $250; I both appreciate what they've created, but feel that the marketing monster has fattened itself on all your ideas.  Checking the bottle I'm rewarded with 52.1% ABV, but the colour leads me to point the finger at some heavy colouring.  My unrequited jabs aside, what lies within the bottle is what we're interested in, so I'll delve into my notes on that.  It's a great spirit, with good depth of character.  The nose is vibrant and expressive with lots of hot notes and earthy tones.  There are notes of fresh cut ginger, macerated plums and sweet barley syrup, but behind this there are notes that I'm not crazy over.  There's a metallic earthy note, and a slight violet sharpness note (these typically arise in bad whisky).  There is also the stereotypical HP aromatic smoke and subtle peat, and that drying sensation that makes my mouth start to water.  The earthy note is fine with me, in fact it's quite nice and deep (like wet garden soil), but it's the metallic notes and the violets that make me worried as these are precursors to bad whisky in my previous experience (see most Bowmore DB's from the 80's).  In the mouth there is a very strong dry burn with overly hot ginger snap cookies... it needs some water to relax.  Upon hosing the mighty Thor down, we are rewarded with herbal vanilla and dark yellow fruits (like ripe peach and mango), mingling on a warm malty base.  There is still quite a kick of baking spices (especially cinnamon), and wood in the finish making it very dry and intense but not overly long.  I also found an orphan note of mint (which is a marker of excellent old school style whisky), but it seems out of place here; almost placed there to fool us into believing this is better quality than it is.  I dunno... I'm not sold on the marketing ploy and the whisky itself isn't what I expected after hearing so much about this.  As great as it should be, it never seems to live up to what they sold to us.  It looks like what we have is a Thor cosplayer (Wiki reference HERE);  it's a great outfit but underneath is just another kid from the block looking to show off to his friends at a comic convention.  Should you feel the need to toss $250 away, please contact me personally and I'll recommend 2-3 bottles far more worthy of your hard earned money and time.  Check your local LCBO <HERE> to see the boat bottle in person.

  Well there we have it, January has been finally completed, lots of interesting bottles, but not a lot of substance (IMHO).  There are much fewer bottles coming in February (Thank goodness), but still some very good things coming our way.  So ladies and gents, until next time keep your stick on the ice and the ice out of your glass.

January 05/2013 Vintages release

  Well here we are in a new year.  Someone once toasted 'I hope the best of 2012 is the worst of your 2013'.  The LCBO has seen fit to start the year of with only a single bottle of whisky, but boy what a dram it is!

  The first, last, and only dram this round is another bottling from isle of Arran distillers.  The Cask Strength 12 year old is a fantastic offering and a great bottle to finally hit our shelves!  I've been pretty excited to see this coming, and I'm really looking forward to getting my teeth into this one.  If your new to the blog, or haven't heard my ranting on about the big players in the whisky trade; I apologize in advance and I'll try to keep it short.  I've got nothing but praise to sing for Isle of Arran, they abide by some very simple wishes of the whisky community: No chillfilteration, no e150a colouring, and providing you (the connossieur) with higher proof than the standard 40% ABV.  These hallmarks in a bottle make the investment worth while because it shows respect for the whisky drinker (IMO).

  First up a little history lesson (everyone needs a little lesson from time to time).  Arran distillers is a relative newcomer to the whisky industry (distillation started in 1995), and is one of the few independently owned distilleries on the market.  Situated on the Isle of Arran, between Ayrshire and Kintyre, the distillery was built there for a couple of reasons.  The primary reason being that the micro-climate supplied by the Gulf Stream allows Arran malts to be matured slightly faster, providing greater reward for their work.  The purest water in Scotland was also found at Loch na Davie just north of Lochranza (where the distillery was built), supplying them with a fantastic quality source of water to begin the spirit construction from.  Their distillery manager, James MacTaggart, worked with Bowmore for 30 years. In his capacity as Arran's manager, he has been given a chance to run free with the spirit.  Their bottles proudly proclaim that within lies nothing but a pure spirit, with no chill filteration and no colour added to cloud your judgment.  Without any monkeying around; what's in your glass is a reasonable facsimile of what's in the barrel.

That aside, what we have here is a full on, high proof (54.1% ABV), limited edition bottling of their 12 year old spirit (12,000 is sort of limited).  This is a combination of first and second fill sherry hogsheads, giving a wonderful rich fruity overtone to the spicy Arran spirit.  Let's delve into the glass and see what we have.

The nose is wonderfully expressive, with huge amounts of sherry taking the forefront.  This is a great sherry nose, loads of red fruits and yellow fruits here.  As it settles, more peaches and apricots start to poke through along with macerated raisins, loads of baking spice (cloves, mace, nutmeg, and the like), sweet malt, and vanilla.  In the mouth, it's an explosion!  It's quite hot for the first sip, but settles quickly on the tongue.  It becomes very creamy and starts to stack up the spices.  There is quite a bit of peppery heat at the full 54%, but it's not unpleasant.  The baking spices seem stronger and sweeter now, with more cinnamon, mace and nutmeg driving the palate.  There is a subtle trickle of briny salinity throughout the palate and sweet barley sugar shines through underneath, bringing with it green pears and toasted oats.  The finish pushes the green fruits and spices back a bit, becoming more mulled in character.  Orange zest and worked oak provide a bitter note to counter act the sweet burnt sugar and spice cake notes.  The finish is quite long and very rewarding on this. Okay, I'll admit I'm a little taken with this one.  It's a hell of a dram but I feel it's a little overshadowed by my love of the distillery.  I thinks that's with good cause too; especially as they seem to be consistently be putting out said quality of product.

So that's all for the start of January, more to come soon.  Some interesting reviews coming up of a pair of Japanese blends. So as usual; stay tuned to this channel... err blog. Keep your stick on the ice, and the ice out of your glass.

A Tale of Two Macallans

   Another post from Tom, this time on a pair of Macallans.  Some very interesting comparisons on the bottles, and a couple of rare finds as one bottle is travel only retail.  There will be a follow up to this article to be published shortly featuring a review from Tom from my other bottle of Whisky Maker's Edition Macallan.  We'll see if that stacks up to either of these given the moniker.

The Macallan 1824 Collection - Select Oak - Travel Retail Exclusive - 40% ABV

The Macallan 1989 14 Year Old - Lombard’s Jewels of Scotland - 58% ABV

  One of the true highlights of my trip to Scotland, for the May Speyside Whisky Festival, was visiting the Macallan distillery. Besides being nestled within a gorgeous setting, the distillery and its visitor’s centre give an excellent overview of their philosophy in whisky making, with an interactive “museum”-like experience that is fun and informative for both novice whisky drinkers and connoisseurs. Even greater, of course, was the tasting, which went through a range of many expressions, including the new make. Our tour guide encouraged us to sample the new make between each tasting so that we could better differentiate between the spirit and the wood - brilliant idea. In my experience, Macallans don’t tend to excite whisky connoisseurs (or maybe I’m wrong and it’s just my circle) and on one hand, I can see why - they tend to be heavily sherried expressions that could sometimes use more complexity. On the other hand, however, I love both the spirit (very fruity and floral, and that silky mouthfeel is unique to Macallan) and their use of wood (they pay very close attention to the quality of their casks, both sherry (which is their trademark) and bourbon).

  So here we are comparing two very different styles of Macallan. Our first is from their 1824 Collection, available only through travel retail. I picked this one up at the duty free store at Newark airport, having caught one of the last flights out of NYC before Hurricane Sandy hit. It is the Select Oak, wherein the the spirit is matured in five different cask types (what those cask types are, they do not say). Other expressions in the 1824 Collection are known as Whisky Maker’s Edition, Estate Reserve, Oscuro and 1824 Limited Release. The Select Oak is 40% ABV, and is presumably both coloured and chill-filtered.

The colour is a burnt gold with straw highlights. On the nose, quite complex and fruity. Definite sherry and oak, with dates, plums, dark cherry, almond brittle, nutmeg. Water brings out more sweet maltiness. The palate immediately shows sherry, with a very sweet and silky mouth feel. Cherry compote, also vanilla, cinnamon and a little bit of pepper. A little water brings out the spices. I detect the faintest hint of sulphur but it’s not terribly unwelcome here. Smooth and rich.

The finish is long and deep, filling the upper chest - but ends up a little dry and tannic. This is a very smooth, rich, lovely dram, though a bit more of a blunt instrument than most Macallans. I’ve been working it for the last hour and I do find it a little much after a while, despite some complexity,

Our second Macallan comes not from the distillery but from Lombard’s, an independent bottler, from their “Jewels of Scotland” range. This spirit was distilled in 1989 and aged for 14 years, and bottled at 58%, non-coloured and non-chill-filtered. I am reviewing this off of a sample so I do not have any other information from the label at hand. However, this particular bottle was available through the LCBO at $134.95, and is well worth getting (sadly out of stock now). Never fear as you can order a dram at Habits Gastropub on College (west of Ossington).

The colour is a light-to-medium amber. The nose is very robust and malty, with a little smoke (wonder where that comes from, since Macallans are not peated?) Also featuring vanilla and sugar, so it’s almost a little bourbon-y (as befits the cask). Dry roasted almonds and mint. Water brings out more oak, surprisingly. Beautiful.

The palate reflects that classic Macallan silky mouth feel, with more alcohol heat than you might be used to from this distillery! Features many of the notes from the nose, but more almonds and macadamia nuts, some dates. And with water, we have more oak - which works beautifully with the malt. Water tames the alcohol and brings out more malt, nuts and fruit, which is very welcome. Extremely complex, developing, changing over time.

The finish is very developing - it goes from short to long to heavy, almost mossy finish. This is an excellent whisky, more challenging than standard Macallans with the heavier alcohol and the stronger bourbon cask notes.

To compare - I feel the Lombard’s is the superior dram, though the more introductory drinker may feel differently. The Lombard’s is more complex, more challenging and changes over time. The Select Oak does not push the boundaries of what Macallan has to offer, but features classic Macallan notes that are undeniable. Both are worth trying, but the Lombard’s is your best bet, and something quite different than the usual distillery bottlings.

Sullivans Cove Single Cask (Bourbon Maturation)

 So for this next post, I've finally got our Whisky Society (The Westside Whisky Society), into this and have been gifted a post from Tom.  He can be found <HERE> on twitter.  Hopefully there will be further posts from all our members.  I will be collaborating further to include local places, and far off spaces, more bottle reviews and who knows what else.  We'll see as the blog comes together further.  Keep an eye on our page and we'll keep you updated.


Sullivans Cove Bourbon Maturation
Single Malt (Single Cask) - Barrel No. HH0602, Bottle No. 152 of 222. Barrelled Feb 21 2001; Bottled Sept 10 2009 (8 years old)
60% ABV
www.sullivanscovewhisky.com

On a recent trip to Calgary, I paid a visit to Kensington Wine Market and found this Australian whisky, which I had heard so much about and have always wanted to try. Sullivans Cove is the brand of whiskies produced by the Tasmania Distillery, which was founded at Sullivans Cove in 1994. Their whiskies (which also include a port maturation single cask and a bourbon & port maturation double cask) have been winning a lot of awards - this particular expression won the 12 Years & Under sub-category in the Best Rest Of The World Single Malt category at the 2011 World Whiskies Awards. Unfortunately, I don’t believe any Tasmania Distillery whiskies are available at the LCBO. The bottle comes with a page of literature describing the history of the distillery and the awards and characteristics of their whiskies. It is non-coloured and non-chill-filtered.

I poured it for our whisky society and I think, of all of us, I was the one who liked it the least. Its colour is pale gold with yellow highlights; the legs are very small and still, as befits a 60%er.
The nose hits you with paint thinner, strong robust malt, tropical fruits such as papaya and under-ripe banana, some mint and oregano, dry hay, a very light caramel and a hint of smoke (although the malt is unpeated). Very complex nose but also a little bit all over the place. One would expect a little water to tame the alcohol - but clearly, I didn’t pour enough.

We are brought back to that chemical taste when we drink, hinted at by the paint thinner on the nose, coming off of that wave of alcohol. Lots of malt in the mouth here, and has a decidedly fermented flavour to it, which I find a little off-putting (but others may not). There is some caramel but it’s overpowered by that feinty alcohol note. Water gives it a little creamier mouthfeel and brings out some of those tropical fruit elements. Much like the nose, the palate is also very complex but all the elements seems to fight with each other. A few drops of water certainly help balance things out

The finish is not overpowering, and sits for quite some time, sweet and sharp. This is a fascinating whisky, with a lot going on, but the entire things seems rather off-balance. It feels rough, young, fresh, exciting and wild (aren’t those typical Australian characteristics, generally speaking?), and as I continue nosing and tasting, I find it never ceases to be interesting - yet also almost tiring as there is so much clashing together. It’s like a frenemy who, though entertaining and interesting, also gets a little annoying after awhile. Jim Murray echoes this sentiment in the 2012 Whisky Bible; he reviews the same cask, rating it an 81. He suggests placing the glass in hot water for five minutes to burn off the higher alcohols, and rates that five or six points higher...interesting. Maybe I’ll try that. Or maybe I won’t bother. I’m lazy. But anyway, love it or hate it, it’s a Tasmanian devil.

ScotchBlog.ca Tasting Event @ Quinn's - January 28th/2012

This past January, I was invited as a reader and good friend to the ScotchBlog.ca group to join a tasting party held at Quinn's steakhouse.  Not willing to miss the chance at having 6 tastings for under $24, I jumped at the occasion.

2 flights were offered - First up was the aptly named "Smoke Ladder". We moved from lightly smokey up to full on roaring bonfires of peat with Longrow CV, Jura Superstition, and finally Ardbeg 10.  All drams were accompanied by a chef approved item to accent the natural flavours within the Scotch.  I chose to jot notes about the 2 that I don't have in my collection, Longrow CV and Ardbeg 10.

Longrow CV:

• Colour:  Very light straw, slight hints of orange/gold in the highlights.


• Body:  Thin and light, medium drops form; legs run at a medium rate.
  


• Nose:   Soft notes of heather, peat and vanilla cream.  Accents of spice cake and sweet barley.


• Palate: Spicy wood smoke, Hints of peat and candied lemon peel.  Vanilla highlights.


• Finish:  Short.  Hints of wood smoke and grainy sweets permeate. Herbal vanilla notes, and rubbed/worked oak.


• Empty Glass:  Here the barley grain and peat show up!  Roasted oats with honey, salty brine (just a hint like movie theatre popcorn).


• Paired with an chocolate bon-bon (orange creme centre), making this an excellent after dinner treat.

Ardbeg 10 Year Old:

• Colour:  Very light, in fact surprisingly so!  Certainly doesn't look like any colour added.  I'll call it sun bleached straw.


• Body: Medium, and slightly oily.  Medium sized drops; legs run slowly.  Hints at lots of flavour here, but you should know that already (you can smell the peaty fires from 3 feet away!).


• Nose:  Peat (duh!), lots of peaty fires.  Coffee grounds, fruity notes. Licorice, and dark chocolate. Real mint (like in a muddled drink)


• Palate:  Spice and smoke dominate.  Ashes mix with strong quality coffee fruitiness (not that Starbucks crap; real barista pulled stuff in a place where they care what coffee tastes like!).  Chocolate notes and hints of toffee in the background.


• Finish:  Sharp and biting.  Dry smoke and espresso.  Hints of sour peat permeate the finish.


• Empty Glass:  Smoke galore! Wood smoke, campfires, ashes and peat!  No actual notes of the oak here, the smokiness sort of takes over.


• This was served with smoked salmon on Irish soda bread.  Excellent pairing with all that smoke, almost overwhelmed the fish.

So the reasoning behind the smoke ladder was to be able to allow ourselves to genuinely enjoy monster peats without being overwhelmed by the smoke.  Moving from low to medium to high allows your senses to adjust to the amounts of peat in the Whisky and thus allows your nose to mare easily drift through the peat and smoke to find the other scents and tastes within the dram.  Excellent stuff, and a great way for anyone to get into peated whiskies!

The second flight was sweet and smoky.  This gave us a chance to calm our taste buds and enjoy some different types of smoky notes within the whisky.  This flight featured Springbank 10, Oban 14, and Connemara Peated Irish (a personal favourite of mine).  I chose to jot notes for the Springbank and the Connemara, I'm still not a great Oban fan (but I'll work on it I promise).

Springbank 10 Year Old:

• Colour:  Golden Hay


• Body:  Medium.  Large drops form with legs running slowly.


• Nose:  Worked teak (interesting of all things wooden), dried grasses, bread, dried herbs, and olives.


• Palate:  Hot and sweet on the initial rush. Sour notes like old coffee mixed with a mossy-ness and toffee candies.


• Finish:  Medium length with smoke and sharp notes.  Gentle oak and roasted almonds.


• Empty Glass:  Slight sulphur notes and roasted nuts. Worked oak and wood shop floors (like sawdust form a wood shop).


• This was served with an incredible hand made Irish blue cheese. Cashel Blue is a semi-soft mild blue cheese made from Cow's milk.  It emphasizes the salty/briny notes in the whisky and amplifies the smoky notes while providing a wonderful creamy palate for the whisky to bloom in.  Find this cheese, and have it with something smoky/briny like an Islay and see what I mean!

Connemara Peated Irish Whiskey:

• Colour:  (Try not to laugh at this one, but I have written) Honey Nut Cheerios gold.  That roasted golden colour with some brown highlights.


• Body:  Thick. Tiny drops seem to form, legs run very very slowly.


• Nose:  Pink rubber school erasers, and soft peat bogs. Sweet grains (like mashed corns, or fresh harvested wheat).  Rubber tires in the hot sun (seriously! not bad, just something astringent to bring contrast to the sweet notes). Sweet honey notes, with floral hints in the background.


• Palate:  Wood smoke and gently smouldering peat fires.  Roasted nuts and


• Finish:  Short but great!  Smoke and vanilla notes intertwine with rubber in a drawn out way through the finish.


• Empty Glass:  Sour peat and coffee grounds,  Oak and a musty note like grape mash after fermentation/extraction (or like the smell of a wine maker's cellar).


• This was served with shortbread and chocolate covered raisins, but was switched up at the last minute to what little was left of my Cashel blue.  That rich creamy and salty cheese melts and compliments peat and smoke so well.  In the case of the Connemara, the sweet pot still Irish malt lends itself even better to the cheese providing a sweet nutty note to compliment the cheese.