Welcome again malt mates, to the interesting and odd side of the whisky compass. I have been wandering through my old tasting books and this next set of tasting notes I happened across, comes from a very odd distillery.
Glen Albyn was built in 1846, as a brewery/distillery in Inverness beside the Caledonian Canal. Early on in its life it ran into much difficulty, and by 1855 it had been closed and the remaining buildings were being used to mill grains. In 1884, the distillery was rebuilt on the site and was attached to the Highland railway system. Silent again through 1917-19 for use as a US Navy mine factory, the distillery was reopened in 1920 under John Birnie (of Glen Mhor fame). By 1972 it was acquired by Distillers Company Limited (ie: Diageo), and was hit hard by the 1980's slump in whisky sales, it was shuttered in 1983 along with many other fabled distilleries. By 1988 the buildings had been demolished and turned into a supermarket, such a sad end to one of the distilleries who pioneered the use of the Saladin box malting method. Very few bottles are found with the Glen Albyn name on them, typically only available from independent bottlers, the casks seem to have been so few and far between that it's a great rarity.
There are very few entries in my notes for Glen Albyn, but some do stand out as being fantastic examples of this distillery. This particular dram is by no means in the top 10 for Glen Albyn, but it's also no slouch either. As a weirdo whisky, this dram is a harder one to nail down, but let's delve into the glass and see what we have...
Colour: Pale gold, like a young white wine. This is a Signatory bottling, so there's no colour added.
Body: Medium to thin. It clings readily to the glass, and small drips beget thin legs. They run slowly back to the bowl, no chill filtration here either!
Nose: The nose opens with big malty tones and some warm dusty bits. Apples and cinnamon (like a baked apple), and more library dust. Seems to taste very old, but there are some interesting things to come; this is where the regular notes diverge. Beef fat and short pastry crust. Hints of tarragon vinegar and flat dust (its dust without being in your face, think old settled farmhouse dust that was stirred up.... this one I'm not too sure how to describe, stale dust maybe), and in the background hints of floral apples (like in an apple orchard during bloom season). Water makes oily notes more apparent and amplifies the floral apple scents, in the bottom there are hints of charred oak.
Palate: Super soft to start, almost like drinking water. As it acclimatizes in your mouth, sweet floral notes appear, with hints of vanilla oak and more library dust. A subtle spice balance arrives and counters the sweet notes with malt. Water pulls apart the delicate balance though, making the dust come forward and become astringent.
Finish: Oily and long, it stays with you for a while, but doesn't overwhelm your palate. Warm vanilla oak and baking spices turn to a slightly drying note making your mouth water. With water added, the finish shows a bit more herbal vanilla, and baking spices seem more pronounced like cardamom and mace with bits of cassia.
Empty Glass: The wood takes full control, rubbed dry oak, and slightly punky wood are both at play here. More dusty herbal notes with dashes of vanilla, twinges of cassia and pepper are thrown in for good measure.
Well, that was certainly an interesting trip down memory lane with a very interesting dram. Water amplified the nose, but destroyed the body which leads me to believe its a very delicate dram in a subtle balance. Very dusty, but a rewarding dram should you be able to find one! Search around and try a Glen Albyn if you can; they are few and far between and offer a glimpse into a lost distillery of the past. Next time on the blog, a trio of Islay malts, so until then keep your stick on the ice and the ice out of your glass.
Showing posts with label Lost Distillery. Show all posts
Showing posts with label Lost Distillery. Show all posts
Wednesday, 18 February 2015
Monday, 13 October 2014
Tasting Notes: Lochside 1981 (Lombards, 23 Years Old, Sherry Cask, 50% ABV)
Delving into my notebook, I've found another dram that stood out from my journey to Las Vegas. In sifting through some of the shelves in the bars I visited, once in a while a fantastic dram would appear right before my eyes. In this instance it was a rare dram indeed, a Lombard 1981 from the fabled Lochside distillery.
Lochside was closed by the Macnab Distillers Ltd in 1992, and produced both malt whisky and grain whisky through its life. The distillery itself was levelled, and turned into housing in 2004-2005 era, and has therefore become a lost dram. The few bottles that can be found tend to have the 'lost distillery' price tag attached to them.
The Lombard brand is a more recent addition to the LCBO shelves (which are severely lacking in independent bottlers), netting us some fantastic single cask selections; but also some fantastically high prices in many cases. I have tried the Macallan 14 that was released by Lombard, as well as a 21 year old Clynelish, a Balmenach, and even a Teaninch. One of the best 'traditional' Rosebanks I have ever had came from a Lombard's bottle as well. This jewel of Scotland has been bottled from stock that was distilled slightly before the doors shut for good on the old Lochside distillery. Served without the addition of colour, without the need for chill-filtration, and with a hefty 50% ABV; this is what malt drinkers search high and low for. Let's see what the notes reveal about this relic:
Colour: Autumn Gold (How's that for a colour?); It's wonderful golden yellow with both hints of mahogany and tinges of ruby.
Body: A single roll shows medium body. Drops form slowly and run slowly; if at all. Almost seems clingy to the point of being oily.
Nose: Rich! Super rich malty nose with a huge whack of fruits! There is a musty note like a damp library, but it doesn't detract from the malt's richness, instead amplifying it. There is a lot of wood here, not new wood, but old oak with wood polish and ancient must lumber too. The fruits are a combination of many things, macerated/stewed purple fruits (think plums and strawberries), over ripe almost rotten fruit (those raspberries that were on the counter too long), and hints of dark dried plums.
Palate: The richness doesn't stop here. Rich warmth of malt and stewed fruits take centre stage, the malt playing second fiddle isn't to be missed either. The wood spice almost dances between, offering sharp punches to break up that rich spirit. Lots of wood spice through the mid-palate, cinnamon, clove, mace, cardamom and the like. There are some dark notes of raisin and something different, like long pepper or a hint of truffle in the background.
Finish: Velvety and long, this goes on for quite some time. Richness doesn't seem to subside, but more sherry-vanilla creme comes out now. The sherry wood almost dominates the finish, but there is an interesting poached pear note here too. Worked leather, library dust and wonderful soft oak wrap up a lush dram.
Empty Glass: I was so over occupied with my other notes (and the lights of Las Vegas!), I missed most of the empty glass. I recall a lot of wood notes, more of the damp library and over worked sherry. Things you don't smell any more; things that are earmarks of old whisky.
This was an immensely enjoyable dram, one from a distillery who's heritage is all but forgotten. This was made even more enjoyable by the company of my friends in a far away place (Vegas is far enough away from Toronto). Lombard bottles seem to be typically good whisky, but the price varies greatly on them. I'd strongly suggest searching some out and trying them if you can. And as for Lochside; it's a wonderfully fruity dram and should you have the chance to taste one, it's worth seeking out.
The Lombard brand is a more recent addition to the LCBO shelves (which are severely lacking in independent bottlers), netting us some fantastic single cask selections; but also some fantastically high prices in many cases. I have tried the Macallan 14 that was released by Lombard, as well as a 21 year old Clynelish, a Balmenach, and even a Teaninch. One of the best 'traditional' Rosebanks I have ever had came from a Lombard's bottle as well. This jewel of Scotland has been bottled from stock that was distilled slightly before the doors shut for good on the old Lochside distillery. Served without the addition of colour, without the need for chill-filtration, and with a hefty 50% ABV; this is what malt drinkers search high and low for. Let's see what the notes reveal about this relic:
Colour: Autumn Gold (How's that for a colour?); It's wonderful golden yellow with both hints of mahogany and tinges of ruby.
Body: A single roll shows medium body. Drops form slowly and run slowly; if at all. Almost seems clingy to the point of being oily.
Nose: Rich! Super rich malty nose with a huge whack of fruits! There is a musty note like a damp library, but it doesn't detract from the malt's richness, instead amplifying it. There is a lot of wood here, not new wood, but old oak with wood polish and ancient must lumber too. The fruits are a combination of many things, macerated/stewed purple fruits (think plums and strawberries), over ripe almost rotten fruit (those raspberries that were on the counter too long), and hints of dark dried plums.
Palate: The richness doesn't stop here. Rich warmth of malt and stewed fruits take centre stage, the malt playing second fiddle isn't to be missed either. The wood spice almost dances between, offering sharp punches to break up that rich spirit. Lots of wood spice through the mid-palate, cinnamon, clove, mace, cardamom and the like. There are some dark notes of raisin and something different, like long pepper or a hint of truffle in the background.
Finish: Velvety and long, this goes on for quite some time. Richness doesn't seem to subside, but more sherry-vanilla creme comes out now. The sherry wood almost dominates the finish, but there is an interesting poached pear note here too. Worked leather, library dust and wonderful soft oak wrap up a lush dram.
Empty Glass: I was so over occupied with my other notes (and the lights of Las Vegas!), I missed most of the empty glass. I recall a lot of wood notes, more of the damp library and over worked sherry. Things you don't smell any more; things that are earmarks of old whisky.
This was an immensely enjoyable dram, one from a distillery who's heritage is all but forgotten. This was made even more enjoyable by the company of my friends in a far away place (Vegas is far enough away from Toronto). Lombard bottles seem to be typically good whisky, but the price varies greatly on them. I'd strongly suggest searching some out and trying them if you can. And as for Lochside; it's a wonderfully fruity dram and should you have the chance to taste one, it's worth seeking out.
I'm still rummaging through my sample drawer and have yet to write up some drams, but I have a couple of notebooks filled with some interesting drams too. I'll see what I can draft up for next time, and I can guarantee you that you won't be disappointed! Until next time folks: Keep your stick on the ice, and the ice out of your glass.
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