Showing posts with label Tasting. Show all posts
Showing posts with label Tasting. Show all posts

Sunday, 19 August 2012

LCBO Vintages Release for August 2012

Back once again, with more whisky in tow.  This month has a rather short list of bottles coming in to the LCBO, but there are a few interesting items (some good, some not so good) that are on the shelves that will get posted in a separate review.  So without further adieu, let's get down to brass tacks.

August 04/2012 Release:

Well this is more of a 'we had nothing new to get out yet, so here is something we found on ours shelves' release.  The LCBO proudly re-releases Longrow CV.  This is a heavily peated version of Springbank's distillate (we're not talking Islay smokey heavy here folks, more like manageable amounts of peat).  Springbank Distillery has a very fond place in my heart as they are one of the few distilleries that still do it all by hand.  I mean all of it: there are no computers, no complex machinery in the production line, and nothing to get between you and the final spirit.  Longrow came about as an experiment in making an Islay style whisky on the mainland.  It was so successful that by 1992 the distillation became a regular part of the Springbank family, and adopted the now silent distillery name of Longrow (c. 1824).  The double distillation process used is true to it's name and the distillery itself is a true relic, resurrected from the ashes of many years of neglect.  Now, it might seem a little worrisome in regards to quality control issues to not have any machinery or intense scrutiny of the distillate, however there is actually very intense scrutiny, from the senior production staff.  They are quite frequently nosing and tasting the distillate to monitor the quality and changes.  Think of it this way: this is based on an agricultural product which will change with the seasons, ambient conditions and even the soil quality it's grown in.  This makes it a challenge to continually make the same flavour profile, which requires blending single malts into a 'super-malt'... I'm looking in your direction Macallan & Glenfiddich.  It's not the the quality that changes (in fact Springbank is one of the best quality whiskies on the market IMO), in fact the spirit itself changes ever so slightly.  Batch variations are the subtle differences that make it so good.  It shows that if Joe on the production line cuts the tails coming into the spirit safe a little early on one day to catch a football match, and later then next day to avoid cutting early 2 days in a row, the changes in the final product produce subtle variances.  That aside, this is a great whisky and an excellent intro to Campbeltown region whiskies  (there's only about 4 of them... Hazelburn, Springbank & Longrow in one distillery and Glen Scotia being the other).  The CV variation (curriculum vitae), is exactly that:  a resumé of sorts showcasing what Longrow is all about in a single bottle.  It's a blend of Longrow finished in a variation of casks (including Port, Sherry, Bourbon and Rum), giving this malt a fantastic creamy nose and slow developing peat.  On the nose you'll find things like vanilla marshmallows, subtle wood fires, heather, sweet spice cake, minerals chalk or ground limestone, subtle brine and hints of medicinal iodine, with peat being ever present throughout.  In the mouth, spice and peat right upfront.  Notes of dried tobacco, candied lemon peel, smoked fish, sweet grains and vanilla (like oatmeal and vanilla pudding together), dried cocoa powder (the regular, not dutch process... which is less acidic) and sweet oak.  The finish is long and slow, bringing waves of peat, limestone, brine, oak and caramel all over the place.  It seems sort of unorganized but also incredibly complex akin to a brilliant scientist's notebook.  There are notes in the margins, notes written in other languages, newspaper articles glued in, pictures stapled onto pages and such.  In the whole sense of things it seems like a notebook of random jottings, but really it's a window into the scientist's head and their inner workings.  This is a great starter to get into the peats, and also into Springbank's large collection of malts.  This comes highly recommended, and at only $82.95/bottle for a unchillfiltered, no colour added premium mega-blend.... this is a great deal.  Check your local LBCO <HERE> for your bottle today.

August 18/2012 Release:

Up next is... wait, what?  You thought there was more?  No, sadly that's all they gave us that round, and only another single bottle for  this round too.  Isle of Arran Amarone Cask Finish makes a glorious re-appearance at the LCBO for this release.  This beautiful pink whisky (like seriously Rosé pink), is a fragrant and richly finished Arran whisky.  Jim Murray called it 'pehaps the best Arran nose of all time' (which is the Madeira finished CS IMO), and awarded it a 96.  Jim Murray is an over-reference whisky writer in my opinion.  He has both a great nose and palate, but just because he's toted as the next Michael Jackson doesn't make his word law (Editor's note:  expressions are my personal opinion so feel free to take this with a grain or three of salt; especially should you actually be Jim Murray).  That being said, I do love the Arran malts and I really love this finish!  This one is a trifecta of excellence: Served at 50% ABV (this is an old school drinkers preference referred to as The Golden Strength by die hard Scotch fanatics), 100% natural colour, and no chill filtration takes place on any Arran malts (See ref: HERE).  These are the things that get me excited (yeah, as I write that I realize my life may need more excitement), and get my mouth watering.  In the glass, it's a gorgeous pink colour.  On the nose the whisky is quite subtle to start.  Notes of rose petals, toasted almond cakes, sweet chewy candies, chocolate covered orange peel, hints of subtle floral notes, cranberry, dark cocoa and dried cherries all intermix creating a fantastic breath.  Then you put it in your mouth.  Holy!  This goes from soft an subtle to incredibly complex and deep.  This list here is long: Turkish delight candy, dark chocolate covered cherries, toasted almonds, cooked fruits, honeydew melon, brine, butterscotch like a salted caramel, dark plums (very ripe and fruity), a dash of cinnamon and a twist of nutmeg make for something other-worldly in the mouth.  The finish is medium in length, but rich and rewarding.  The cooked fruit, almond and cherry, and brine go on and mix with worked oak, subtle wood smoke and more dark fruits but also don't detract from the whisky at the same time.  Great balance, great body and flavour and a great bottle.  Check you local LCBO <HERE> soon as these don't last long once someone has tried it.  Even at $77/bottle this is a great buy.

So there we go, 2 bottles re-released, and what great bottles at that!  I strongly suggest that you look into one or both of them should you be interested in trying real artisan made whisky.  The 2 distilleries mentioned above are 2 of just a handful that make astonishingly good spirits among the many that are controlled by the beverage giants.  So as usual I wish you happy dramming, and as always: Keep your stick on the ice, and the ice out of our glass.

Wednesday, 25 July 2012

LCBO Vintages Release for July 2012

Well this month, there isn't a whole heck of a lot to report on in the magazines and public releases.  There are however many more items in the LCBO that deserve your attention and hard earned money.  So let's start into this with the public Vintages releases.

July 07/2012 Release:

Only a single bottle in this round.  Wemyss Malts brings the LCBO a 15 year old Caol Ila from their private collections.  Wemyss (said like 'Weems'), is a long standing family with a heavy passion for good Whisky.  Barley from the Wemyss estate is still prized today by many of the big distillers for both its quality and flavour.  They offer both independent single-cask  bottlings of major distilleries and a range of hand-crafted blends.  Currently the LCBO has one of each of their midst, the 8 year old blend known as 'Spice King' and the new arrival of the single cask Caol Ila 1996.  They specify right on their website: "All of our single cask offerings are non chill-filtered and free of artificial colouring, such as caramel." 

Delving into the Caol Ila we find a rich and creamy nose.  Filled with notes of big peat and smoke (both peat and wood smoke), hints of caramel and undertones of brine and minerals wash back and forth. Subtle notes of cinnamon and cloves peek through in the background.  Mouth-feel on this is fantastic,  deep and rich with similar notes from the nose carried on a gentle baking spices (cardamom, cloves and cinnamon) palate with hints of barley sugar.  Finish is medium-long and drying.  The peat in the finish carries you to rubbed oak nose with gentle notes of detritus vegetation and roasted nuts (seriously good stuff in this bottle).  So things are looking really up, 46% ABV, no colour, no chill filtration, and one hell of a Islay dram.  In fact possibly one of the best modern Caol Ila's I've had to date.  The quality and time taken in this dram shows itself over and over again, and the whisky becomes more-ish very quickly.  Not a bad deal for $150 for an indie bottling of an Islay king.  Check your local LCBO <HERE> for your bottle, and you may also want to search out the Spice King <HERE> as it's an excellent example of a well-crafted blend.

July 27/2012 Release:

Making it's return this month is a fantastic Kentucky Bourbon.  Eagle Rare 10 (not really so rare if it's been released for the last three years consecutively...), is a big meaty 10 year old Bourbon.  Wonderfully rich dark, and complex; yet still wonderfully affordable.  The nose is heavy, laden with Cherries (all types [dried, macerated, overripe, fresh etc...]), vanilla is present, but muted whereas the oak and southern style sweet tea (look that up and make that for yourself one day; trust me on that) permeate.  Buried underneath there are hints of medicated rub (bay leaf , eucalyptus, and hints of camphor), also I found molasses and sweet corn.  The palette is just as good, featuring many of the same notes from the nose but with a little more vanilla and oak in the package.  Honey, herbs and worked leather make an appearance in the mouth too, making the palate on this pretty intense.  The finish is slow and drying, starting with a baking spice hint and turning up to 11 with a full on trip into a oak sawmill!  That's a hard one to explain, but think of worked leather (like horse bridals), old sawdust, linseed oil, the actual smell of the horses (animal but not bad animals), fresh cut lumber and old lumber drying in the sun, and so much more.  This is a great buy to get into American Bourbon, I know I've turned a few colleagues on with this particular dram.  Served at 45% ABV and  of course no colour added by law, check your local LCBO <HERE> as these bottles don't seem to last long at $48.

Last up is another Speyside single malt.  This time it comes from an independent group by the name of Lombards.  Pebble Beach is one of the most iconic golf courses in the world (or so I'm told as I have a hard enough time completing a 9 hole mini golf course).  As such, it commands one of the other great Scottish innovations be presented in its name.  Pebble Beach 12 is a beautiful dram that emphasizes all things Speyside whisky; rich fruitiness, malty sweetness, and excellent finishes with drying notes making your mouth yearn for more.  The nose on this is fantastic, rich pralines and caramels dominate with notes of  coconut and hints of tropical fruits interspersed.  From a second fill Bourbon cask, this presents more of that rich toffee and floral palate and subdues the oak to the finish.  The palate is quite dry, contrary to the nose, and has the same caramel and red fruit flavours but with a hint of tobacco leaves and sweet candied orange peels.  Dutch cocoa powder and candied ginger come across in the finish with the oak playing second fiddle and some wood smoke buried in the distance.  This is a great dram for a great price from an exciting newcomer to the LCBO shelves.  I strongly suggest you check your local LCBO for anything Lombards as they certainly seem to take care in their bottling; and at $67 and 43% ABV (NCF NCA), this is a very good bottle to delve into the Speyside mystique.  Check you local LCBO <HERE> for your very own bottle.

In the non-publicized Vintages release there is so, so much more to be found.  I have noted bottles from Lombard's, MacArthur's, Dun Bheagan, and Berry Brothers to name a few.  Let's list a few that have come in and I'll get to posting some more notes here shortly of the few that I've tried.

Lombard's:

MacArthur's:

Dun Bheagan:

Berry's Selection:

Okay, so that about wraps up most of this round.  I'll be posting some notes for some selected drams above soon and as always: Keep your stick on the ice, and the ice out of our glass.

Friday, 13 May 2011

NOTL Wines Tour

So what's new this release?  Spring has sprung and summer is supposedly just around the corner (I have yet to witness this), and the rosés are in full bloom as it were.  Prepping for the summer heat, rosé makes a wonderful chilled wine for a hot patio evening.  I recently took a trip with some good friends (and fellow bloggers @WineGuyTO and @AnUptownGal), to Niagara on the Lake for the Wine and Herb passport.  I took my better half @munchkinkaty, and we set out on a wonderful spring Sunday.

Beautiful weather abounded and tastings were plentiful!  Special thanks to some of the twitter contacts that have been made Michelle Bosc, Alexander Harber, and Kyrstina Roman.  With a little twitter assistance from our friends, we were whisked away to secret rooms, VIP bars, and allowed to try things that "don't exist yet".

Our first stop was to Chateau des Charmes (a Niagara on the Lake favorite of mine), and directed to the VIP tasting bar.  We headed the winding staircase to a room overlooking the rear vineyards.  A bottle of Brut was cracked in our favor to cleanse our palates from the long hard drive.  Many things were sampled, but the Old Vines Riesling stuck out to myself as well as a patented 2008 Varietal called Gamay 'Droit'.   Check out their website HERE.

Through our whirlwind tour of Niagara on the Lake, we stopped into Ravine Vineyards.  I was urged to try the Reisling by our cohorts (Myself a being a white drinker mainly), as it was touted as one of the best she'd ever had.  We settled down and tried the wine and herb pairing (an excellent pork terrine with sweet woodruff paired with a 2009 Chardonnay Musqué), and then wandered over to the tasting bar.  I was introduced to Alex Harber, owner and self-confessed cellar-rat.  Alex, in turn, introduced us to a 2009 Chardonnay that was yet to be listed (fantastic fresh fruits flavours and a delicious butterscotch finish no less), and manly Rosé that had been barrel matured.  Both were fantastic expressions of why the Niagara region is one of Canada's best wine regions, but back to that Rosé for a moment. A rosé is usually light and fruity, never defined as manly, but this one had lost some of that character.  What it had been replaced with was delicious oak and wonderful warm butter notes.  This is one to keep an eye out for (Ravine 2009 Barrel Aged Rosé).  After the initial taste, we then proceeded to be introduced to a selection of their finest wines.  Let me tell you, that Riesling is no slouch!  There is also a fantastic white called York road (a white meritage of  Chardonnay, Gewürztraminer and Sauvignon Blanc), and a red to match called the Redcoat (Merlot, Cab Franc and Cab Sauvignon).  This has become a new favorite winery for myself.  To steer away from the blends they also have an excellent Gewürztraminer, fantastic Merlot and an awesome Reserve Cabernet Franc. Excellent flavours are to be found in all bottles, but definitely order some of that Riesling (she a real cracker!).  Check out Ravine's website HERE!

Then off and whisked away to many other wineries, throughout the Niagara on the Lake region.  Many new places, lots of smiling faces and fantastic wines were had.  We made special stops to Reif Estates, Stratus Wines, and Lailey Vineyards.  Then as our tour ended, we headed back up the 401 to the Beamsville/40 Bench region.  We made another special stop to Rosewood Estates

Rosewood has a few things going for them.  They have their own honey bees.  This means they know who fertilizes the vineyard, and they get a rewards for this.  Rosewood has their own wildflower honey, beeswax candles and such and most importantly Mead!  Yes, I've come full circle here on the blog.  Beer whisky, wine and mead!  Featuring a selection of three offerings, there is a fantastic cherry infused mead called Mon Cherie.  This is a fantastic meeting of Niagara cherry juice and Rosewood mead blended and aged in neutral French oak barrels.  Notes of both wildflowers, honey, cherries, brandy, oak and faint chocolate create a real award winner.  You can bet that my bottle will be kept in reserve for a while.  Among the other tastings were the Riesling reserve and a fantastic Pinot Noir.  With the sun setting,  we returned home and settled down for a glass of wine and a relaxed evening.  Excellent trip with all, and it must be done again (although next time I'd love to hit up Megalomaniac).  Should you ever have a chance to hang out in the Niagara region, see if you can head out to one of the many vineyards out there.  There is a lot to explore and so much more to taste.

Thursday, 27 January 2011

Robbie Burns Day [Belated]

   Happy Robbie Burns day (belated) to all.  As a special treat I shall recount my special evening with a few good friends at The Hunt.  I was cordially invited by a gracious couple (anuptowngal and wineguyTO), and their father-in-law to a special night with a tutored nosing and meal in honour of the Scottish poet Robbie Burns.

    The evening began with an address by The Hunt's very own Marcel Bregstein (the emcee for the evening and the club Sommelier), to the crowd.  Highland dancers followed, with traditional dancing and colourful outfits all lead in by a piper.  The piper then read the Address to A Haggis, and promptly had it distributed amongst the guests (small tastes only; sadly).  This being my second time having Haggis, I noted that this one seemed a wee bit on the dry side, but still quite excellent.  I am willing to admit that this is an acquired taste (and not one that I figured I would have acquired),  but it is quite delicious when prepared and splashed with a bit of Scotch.  Think of it like Kishka, a meat and meal sausage, made with heartier meat and a dash of blood.  Haggis is sheep's pick (heart, liver and lungs) mixed with onions, oats and spices all baked in a sheep's stomach.  Doesn't sound delicious?  If you think of it as eating a sausage, (a very rich and hearty sausage), it's quite delicious and makes for a very satisfying meal.

    The main guest was introduced next by the Sommelier.  Todd McDonald from PMA Canada, a 20 year veteran of scotch sales, on behalf of William Grants & Sons.  With him he brought a selection of Balvenie (12 Year old Doublewood and The 12 Year old Signature) and a selection of Glenfiddich samples (the LCBO available flight of 12-21 Years).  Being the proud owner of the entire flight (save the 18), this was not a blind tasting to yours truly.  We were treated to a visual tour of the Balvenie operation and explained how Scotch moves from grain to glass, through the distillation process.

  The beginning of the tastings started with the Balvenie 12 year old pair (Both the Doublewood and the Select Cask), which was to show us the difference in flavor between the two 12 year olds.  This expanded to include the Glenfiddich 12 to show the flavour comparison to it's sister distillery.  The 12 Select was sherry heavy casks, while the unique half and half maturation of both bourbon and sherry casks in the Doublewood was quite mild on the palate.  This was compared with the fresh and crisp flavours of the Glenfiddich 12 (lots of green apples, and sweet crisp malt).  We were enlightened to their particular methods of nosing whisky, some of which were a bit hard to wrap your head around.  Our speaker suggested that we water down the whisky to about 25% (oft called drowning a whisky), so that the aromas could easily escape the glass.  I let mine fly what was left of it's full colours (40% ABV isn't really much to call FULL colours).  Our taster was also an avid swirler, slightly teetering onto the aggressive hot tub swirling side.  I tried their method and ended up with one glass of wonderful aromas of honey and spice, but the spirit had become undrinkable as it was mostly water with a dash of whisky flavour.

    That aside, we carried on in our nosing class moving to the Glenfiddich 15 (the step up the line for those who seek richer notes than the 12).  This is a favourite of mine (having a wonderful blend of sherry, bourbon and fresh oak casks married together in a Solera vat), featuring a much richer malt note with lush sherry and honeycomb.  The marketing spiel of the Solera vat never being emptied was also dispelled at this time; noting that they build the flavour profile from the selected casks and then fill a vat; settle the whisky and bottle it all.  We then moved into the connoisseurs single malt (the Glenfiddich 18), which is comprised of 98% bourbon and 2% sherry.  An sharp whisky, not my favourite as the heavy wood notes dominate the palette, but still quite nice nonetheless.  Concluding with the 21 Year old Havana Cask (no longer called such in order to import to the US), which was a smooth and delicious finish to the tasting.  The demerara and rum notes sparkle through on the nose, and there is a fantastic scent of banana in the background which almost turn herbal (into banana leaf).  The smooth mouth feel and the long and sumptuous finish have made it a favourite of mine; so much so that I grabbed a bottle earlier this year.

  The dinner was fantastic; featuring spinach salad with a fantastic Glenlivet vinaigrette, Salmon in a champagne sauce with braised leeks, and finished with a whisky chocolate mousse and butterscotch ice cream.  Incredible evening with incredible friends, and a fantastic way to celebrate Mr. Burn's birthday.  I think I'll have to draft up some notes on the 21 year old in the future.

Friday, 10 December 2010

Tasting Notes - Greenore 8 Year Old Single Grain

   So for my 8th Anniversary I received a bottle coincidentally 8 years in age.  Greenore (from Irish distillers Cooley), is a single grain spirit matured 8 years in bourbon casks.  Arriving in a fancy sharp shouldered bottle with a large fat cork and some glittery writing on the bottle, it's a sight to behold.  What's inside will be the judge of the quality though.


  • Colour: Bright golden. (Rich gold colour) Appears to have colour added.
  • Body: Thick and rich.  Oily in texture.  Large drops for very slowly when rolled, legs appear and run slowly down (lots of flavor here...)
  • Nose: Very lively.  Typical Irish sweetness.  Thick and rich.  Corn sugar or corn syrup (much like fresh harvested sweet corn).  Floral like honeysuckle or clover.  Vanilla hints.  Notes of rubber or new motor oil (not unpleasant).  Wildflower honey.
  • Palate: Soft intense start.  New motor oil turns quickly into corn syrup notes and flowers.  Honey is very present and soft hints of vanilla.  Softness, finishes on a sweet fruity note (like a berry, not citrus).
  • Finish: Lingering and fantastic.  Oiliness coats the mouth pleasantly.  Balance between soft vanilla notes / corn syrup / wood/ floral.  Gently soft wood notes and caramels permeate the finish as it fades.
  • Empty Glass: Oak sawdust.  Wood is present here, more than in the taste.  As glass dries sweet corn notes appear.  Sweet and sour shows up.  Nose smells like white wine if it were made from corn if that makes sense (I wrote it so it does to me).